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Witch Hat Atelier Episode 4 Review: When Animation Outshines the Plot

Witch Hat Atelier Episode 4 Review: Coco and the witches struggle to escape a looping path while being chased by a dragon. They eventually devise a plan to put it to sleep using cloud magic. As Coco and Tetia reconcile, the group works together to create a massive spell that finally subdues the dragon.

  • Witch Hat Atelier Anime Directors

    Ayumu Watanabe, Jun Shinohara

  • Witch Hat Atelier Episode 4 Release Date

    27 April 2026

  • Original Title

    とんがり帽子のアトリエ (Tongari Bōshi no Atorie)

Witch Hat Atelier Episode 4 Review

Witch Hat Atelier Episode 4 Review
Witch Hat Atelier Episode 4 Review

Did Coco and others manage to evade the dragon?

All four witches tried their best to evade the dragon and go somewhere safe, but they failed to do that every time. The moment they think that they have taken the right path, they come back to the spot from where they started their journey in the first place. This tired everyone, and the girls decided to take rest somewhere the dragon would not be able to see them from afar.

Did Coco and Tetia make up?

Witch Hat Atelier Episode 4 Review
Witch Hat Atelier Episode 4 Review

While resting, Coco returned Tetia’s cap to her, and she felt extremely bad for blaming Coco. Coco also gave Tetia her own cloak so that she would no longer feel cold. This further made Tetia feel bad, and she activated an original spell that is supposed to make one feel as if they are in a cloud. Here, she told Coco that she was sorry for her behaviour, and they made up right away. They start planning after that on what they can do next to save themselves from the wrath of the dragon.

What do they plan?

Witch Hat Atelier Episode 4 Review
Witch Hat Atelier Episode 4 Review

Everyone concluded that the whole area must be under a spell, which means that there should also be a drawing of the spell. That is when Coco reveals she had seen a spell on top of a tower. However, to reach that spell, they must get past the dragon, which becomes increasingly difficult because it gets bigger in size, and the witches just shrink.

Coco comes with a very good plan, which is to cover the dragon in Tetia’s cloud magic so that it falls asleep right away.

Did they finally succeed?

Witch Hat Atelier Episode 4 Review
Witch Hat Atelier Episode 4 Review

After that, they try out numerous spells so that they can make a cloud big enough for the dragon. Even though everybody was failing, Coco actually came through with a great idea, which helped Agott come up with a proper plan that they can use. After that, they make the huge cloud, and it literally makes the dragon fall asleep right away.

Following this, the witches find themselves in front of the seal that has been the issue from the very beginning.

What happens in the end?

Witch Hat Atelier Episode 4 Review
Witch Hat Atelier Episode 4 Review

Even though Coco and others wipe out the seal, the dragon starts attacking them. Thankfully, the moment Agott was about to get eaten by the dragon, Quifrey came to help. He defeats the dragon and saves everyone else. However, the mysterious dark witch gets hold of Coco, and he does something to her which is not disclosed to the audience.

What worked and what did not work?

Witch Hat Atelier Episode 4 Review
Witch Hat Atelier Episode 4 Review

The story of this anime isn’t very complex or hard to understand. It follows a simple flow, and the characters are likeable but not deeply complicated. However, the animation takes everything to another level and often feels unmatched. In fact, the animation is its biggest strength and is what mainly carries the show.

As Michael Jackson Biopic Hits Theaters, His Accusers Speak Out and Head to Trial

The newly released Michael Jackson biopic is drawing widespread attention — and not all of it favorable. The film is facing significant backlash over what it omits: namely, the criminal accusations that shadowed the last two decades of Jackson’s life.

Titled “Michael,” the big-budget biopic — directed by Antoine Fuqua and released April 24 by Lionsgate — traces the King of Pop’s rise but ends its story in 1988, more than five years before the first major abuse allegation surfaced against him. The decision to cut the film’s timeline short was not entirely a creative one: The original cut included Jackson facing child sexual abuse allegations in the third act, but an additional 22 days of reshoots in June 2025 removed that material entirely, as The Hollywood Reporter notes.

It drew immediate criticism from journalists, advocates and accusers alike.

The film stars Jackson’s nephew Jaafar Jackson in the lead role, while Colman Domingo plays the singer’s domineering father, Joe Jackson. It portrays Michael Jackson as a man-child who never fully grew up — a boy trapped in an adult’s body who sought refuge in fantasy and nostalgia to escape the trauma of his childhood. The film leans heavily on the singer’s music and includes a scene in which Jackson buys toys for sick children in a hospital. The implication is that Jackson’s relationships with children were innocent.

What the film does not address is the legal history that dominated his final decades. In 1993, Evan Chandler, a dentist and screenwriter based in Los Angeles, accused Jackson of sexually abusing his 13-year-old son, Jordan Chandler. Wikipedia Jackson denied the allegations. In January 1994, he settled the civil lawsuit for $23 million — an agreement that was not an admission of guilt. Wikipedia In 2003, Jackson was arrested on molestation charges involving a different accuser, Gavin Arvizo. He went to trial in 2005 and was acquitted on all counts. Wikipedia

According to Variety, an earlier version of the script opened in 1993 in the immediate aftermath of the first allegations, with Jackson staring at his reflection as police arrived at Neverland Ranch. That third act, which dealt with the impact of the abuse claims on his life, was scrapped after attorneys for Jackson’s estate discovered a clause in the Chandler family’s civil settlement that bars the depiction or mention of Jordan Chandler in any film.

As “Michael” rolled out its promotional campaign, the men who allege he abused them as boys remain locked in a legal battle. Wade Robson and James Safechuck, whose accusations against Jackson anchored the 2019 HBO documentary “Leaving Neverland,” are seeking $400 million in damages in a civil suit against Jackson’s companies. The trial is set for November 2026. Jackson’s estate has consistently denied the allegations.

On the day the biopic opened in theaters, Safechuck released a video statement through his attorney. “The ‘Michael’ movie’s coming out, and it’s getting a lot of promotion,” he said. “There [are] billboards and commercials and just people praising Michael, and it can be triggering for survivors who have their own Michael in their lives — whether it’s the priest who’s close to God or the sports coach who’s just helping the kids or the step-parent who’s supporting the family.”

The same day, four siblings made public the details of a lawsuit that added new accusers to the record. The complaint, filed Feb. 27 in U.S. District Court in Los Angeles, was brought by Edward, Dominic, Marie-Nicole and Aldo Cascio. It alleges trafficking, negligence, intentional infliction of emotional distress, fraud and breach of contract. The plaintiffs are seeking compensatory and punitive damages.

The Cascios spent decades as among Jackson’s most vocal defenders, describing themselves as his “second family.” As recently as December 2010, three of the siblings appeared on “The Oprah Winfrey Show” and denied any impropriety. Now they say that defense was a lie. “We were brainwashed, we were groomed,” Edward Cascio told The New York Times, adding that Jackson had taught him and his siblings to support him whenever abuse allegations arose.

Jackson’s estate called the lawsuit “a desperate money grab by additional members of the Cascio family who have hopped on the bandwagon.” Attorney Martin Singer, representing the estate, said the family “staunchly defended Michael Jackson for more than 25 years, attesting to his innocence of inappropriate conduct.” As “Michael” continues its theatrical run after grossing more than $217 million worldwide already, the accusers who say Jackson harmed them are still waiting for their day in court.

Straight to Hell Review: Haunting Portrayal of Power, Deception and Destiny

Straight to Hell Review: Unlike other biographical dramas, this Netflix series is a sprawling decades-long character study that follows the life of Japanese fortune teller Kazuko Hosoki, whose controversial life offers an interesting look into how a person’s life can change. Following her rise from post-war poverty to becoming one of Japan’s most feared public figures, the series is a rousing portrayal of one woman’s determination to better her life.

  • Straight to Hell Netflix Cast

    Erika Toda, Sairi Ito, Toko Miura, Eita Okuno, Kentaro Tamura, Ayumu Nakajima, Gaku Hosokawa, Yoshihiko Hosoda, Erika Shumoto, Miho Kanazawa, Show Kasamatsu, Tasuku Nagaoka, Yuko Nakamura, Miwako Ichikawa, Kazuya Takahashi, Tetta Sugimoto, Kimiko Yo, Renji Ishibashi, Yasuko Tomita, Toma Ikuta

  • Straight to Hell Series Directors

    Tomoyuki Takimoto, Norichika Oba

  • Original Title

    地獄に堕ちるわよ

The series has 9 episodes, each with a runtime of around 60 minutes.

Straight to Hell Review: Tôko Miura
Straight to Hell Review: Tôko Miura

Straight to Hell Review

Plot & summary

The series is a moving and thrilling biographical drama that is told across two timelines. The story is told through writer Minori Uozumi’s eyes, who is tasked with writing Kazuko’s biography while herself struggling with a controlling ex-husband and financial struggles. As she digs deeper, the narrative starts to blur, and she and the audience are left to wonder whether she was simply a manipulative opportunist or a visionary.

However, with Kazuko struggling to get out of extreme poverty by hook or by crook to rule Tokyo’s nightlife and eventually dominating television, her story is extremely moving, fascinating and unsettling.

Straight to Hell Review: Erika Toda, Toma Ikuta
Straight to Hell Review: Erika Toda, Toma Ikuta

Performances

Erika Toda plays the central role of Kazuko Hosoki, and she is a force to be reckoned with. She delivers a memorable and transformative performance of Kazuko through different stages of her life and is on point throughout. She captures Kazuko’s charisma that held people’s attention over the years, as well as her cold ambition, which becomes rather scary. Her performance is layered and showcases the hidden pain and determination of her youth and what keeps her going. She doesn’t seek sympathy, but rather makes her presence known by demanding control and respect.

Supporting cast, including Sairi Ito, is also great, and although we are supposed to see the story from her perspective, her character has very little to do here. Thankfully, Minori is the moral and emotional counterweight to Kazuko’s ambition and greed, as well as the more logical counterpoint to the protagonist’s overwhelming presence.

Direction & writing

Straight to Hell Review: Erika Toda
Straight to Hell Review: Erika Toda

Tomoyuki Takimoto and Norichika Oba, we see a deeper and more grounded look at trauma shaping lives without the sensationalism. The non-linear storytelling makes this more thrilling, as viewers will find themselves on edge, wondering how Kazuko became a fortune teller from a successful hostess club owner. It also reinforces the show’s central idea that truth is subjective, based on who is telling it.

Hosoki is never showcased as a hero or a villain and, instead, deliberately leaves it up to the viewers’ interpretation. The rumours surrounding her life, too, are left up to interpretation and add to the show’s eerie tension.

Themes & tone

Straight to Hell Review: Erika Toda
Straight to Hell Review: Erika Toda

The show explores several themes, including the price of ambition, manipulating people for one’s own gain and the thin line between truth and performance. The tone is dark and dreary, with some hope sprinkled in between. However, Hosoki’s life is quite depressing for the most part, and even when she gets everything that she wants, there is an undertone of sadness that is never really shaken off. Through all the uphill battles that she goes through, the story holds on to the quiet, unsettling intensity that adds to the thrill of an already controversial story.

What works

Straight to Hell Review: Toko Miura, Erika Toda
Straight to Hell Review: Toko Miura, Erika Toda

The performances are fantastic and anchor the story, making it memorable. Erika Toda’s unflinching portrayal of a controversial and grey woman stays with viewers beyond the episodes. The rich historical backdrop, following the rise of Japan’s economy, is also interesting and adds to the storytelling as well as Hisoki’s life.

What doesn’t

The show’s biggest weakness is its length and slow pacing. Albeit arresting, it does tend to overstay its welcome more often than not and takes away from the tension. The storyline involving Minori might also feel unwelcome, and some of the repetitive plotpoints make watching this, despite all the good things, a bit challenging.

Final Thoughts

Straight to Hell Review: Erika Toda
Straight to Hell Review: Erika Toda

Straight to Hell is a very engaging and interesting show, looking into the life of one of Japan’s most controversial fortune tellers. It’s bold, unsettling and portrays Hosoki’s complex and layered life. However, at 9 hours, it’s a bit too much and makes it difficult to sit through at times.

What are your thoughts on Straight to Hell? Let us know in the comments below!

Also Read:

Victoria Beckham Celebrates Career Highs in New York, but Brooklyn’s Absence Looms Large

Victoria Beckham is riding a remarkable wave of success. The fashion designer was named to TIME magazine’s 2026 list of the 100 Most Influential People in the World, with the tribute written by Anna Wintour. Amid the professional high, her bond with much of her family appears stronger than ever.

She kept a busy schedule in Manhattan this week, where she launched her spring 2026 Gap collection — a 38-piece capsule reimagining Gap’s wardrobe icons through her design lens — on April 24. The collection quickly proved a sellout success. Beckham turned the New York trip into a family affair, joined by husband David and their children Cruz, 21, and Harper, 14, for the Gap launch party at the private club People’s. She and David were also spotted leaving Salam restaurant after dinner on April 22.

The celebrations, however, are shadowed by an unresolved rift at home. Victoria is navigating an ongoing estrangement from her eldest son, Brooklyn, who has worked as a model, photographer and culinary content creator and has been active on social media, sharing cooking content with his followers.

​Brooklyn, 27, publicly confirmed the estrangement in January 2026 via Instagram. His statement sparked weeks of headlines. In a lengthy post, he made his position unambiguous: “I do not want to reconcile with my family. I’m not being controlled, I’m standing up for myself for the first time in my life.”

Among his allegations, Brooklyn claimed his parents had tried to ruin his relationship with his wife, Nicola Peltz Beckham. He also said he did not wish to be part of what he described as their “performative social media posts, family events, and inauthentic relationships.” Sources close to the situation say Peltz Beckham has played a significant role in the ongoing estrangement, with one insider noting that “she doesn’t think his family is good for him.”

A source familiar with the matter offered further context: “It’s not just Nicola … Brooklyn did edit [the statement], he owned it fully … they’re not going to make up any time soon … There were points last year when an apology [from David and Victoria Beckham] would have worked, but not now.”

Brooklyn has missed Victoria’s fashion shows, David’s 50th birthday celebrations in May 2025 and David’s knighthood ceremony. While Cruz and Romeo marked Victoria’s recent birthday with social media posts, Brooklyn said nothing.

A source close to the family told Page Six that David and Victoria Beckham will not give up on their son. “Whenever Brooklyn wants them, David and Victoria will be there to talk,” the source said.

A separate insider told Page Six that hopes of a reunion before the World Cup in June are fading, adding that “everything is frozen in place.” The Blast The family had pinned hopes on a reconciliation ahead of the tournament, given David’s prominent role as a former footballer and Inter Miami co-owner — but that prospect now looks increasingly remote.

Despite the break with his parents, Brooklyn has remained in sporadic contact with his grandparents — David’s mother, Sandra, and Victoria’s parents, Jackie and Tony — though those communications are limited to text messages.

Trump Lashes Out at ’60 Minutes’ Host for Reading WHCA Shooter’s Manifesto, Calls Her a “Disgrace”

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A gunman’s attack on the White House Correspondents’ Association Dinner prompted President Donald Trump to sit down with CBS News correspondent Norah O’Donnell on “60 Minutes” the following day to discuss the incident.

Trump called for the dinner to be rescheduled within 30 days, with enhanced security measures. The interview, however, grew tense when O’Donnell raised the contents of the suspect’s alleged manifesto.

Trump became visibly annoyed and called O’Donnell a “disgrace.”

Cole Tomas Allen, 31, a part-time teacher and video game developer from Torrance, California, sent an email to family members shortly before the attack. In the writings, which officials described as a “manifesto,” he stated he planned to target Trump administration officials, “prioritized from highest-ranking to lowest.”

When O’Donnell asked Trump whether he believed he had been the target, Trump replied: “I don’t know. It sounded — to me. I read a manifesto, which is — he’s radicalized. He was a Christian believer, and then he became an anti-Christian, and he had a lotta change. He’s been [going] through a lot, based on what he wrote. His brother complained about him, and I think [he] reported him to the police. And his sister, likewise, complained about him. His family was very concerned. He was probably a pretty sick guy.”

O’Donnell then read a portion of the alleged manifesto aloud, including the line: “I am no longer willing to permit [an abuser] and traitor to coat my hands with his crimes.” CBS News notes that the manifesto did not mention Trump by name.

Trump reacted sharply to O’Donnell’s reading of the excerpt. He told her: “Well, I was waiting for you to read that because I knew you would because you’re horrible people. Horrible people. Yeah, he did write that. I’m not [an assaulter].”

O’Donnell then asked Trump whether he believed the suspect was referring to him. Trump replied: “I’m [have not committed crimes agisnt children]. Excuse me. Excuse me. (…) You read that [expletive] from some sick person? I got associated with all [the] stuff that has nothing to do with me. I was totally exonerated. Your friends on the other side of the plate are the ones [who] were involved with, let’s say, Epstein or other things. But I said to myself, ‘You know, I’ll do this interview and they’ll probably’ — I read the manifesto. You know, he’s a sick person. But you should be ashamed of yourself reading that because I’m not any of those things.”

O’Donnell emphasized that the words were the gunman’s, not her own, but Trump continued to call her “disgraceful,” telling her: “You shouldn’t be reading that on ’60 Minutes.’ You’re a disgrace. But go ahead. Let’s finish the interview.”

Emily Blunt Admits She Was “Quite Scared” of Meryl Streep on the Set of ‘The Devil Wears Prada’

The 2006 film “The Devil Wears Prada” starred Meryl Streep as the formidable Miranda Priestly, the fictional editor-in-chief of Runway magazine. Emily Blunt played Emily Charlton, Miranda’s first assistant — a role that helped launch her career.

With “The Devil Wears Prada 2” set to open May 1, the cast — Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci — reunited for an exclusive SiriusXM Front Row hosted by Andy Cohen, where Blunt revealed she was initially intimidated by Streep during the making of the first film.

When Cohen asked whether Streep had been difficult to approach on set, Blunt did not hold back. “I mean, on the first one, I was quite scared because I feel like you were in a zone,” she told her co-star directly. Streep’s response was immediate: “Oh, yeah. I was in that zone.” Blunt then elaborated: “She was in a Miranda zone.”

Blunt added that the zone was “not impenetrable,” explaining that cast members could approach Streep with a funny story, but she “wouldn’t do your extraordinary laugh that I normally heard.” Cohen then asked Streep whether she had been going “method” in her performance, to which she said no.

Streep elaborated on her technique. “The first three days I went and hung around the camera with the director, you know, and then we’d go on to do the scene, and I’d go, you know, ‘this,’ and they’d go … it was just like a remove. A slight remove. The authority, the thing,” she said.

Though Blunt was initially intimidated, the two later became close friends and have collaborated on multiple projects. Speaking to ELLE about reprising her role in the sequel, Blunt said: “It’s terribly moving. Because it changed everything. David Frankel changed my life by casting me when I was an unknown. I’d been working, but no one knew who I was, and he was so sure that he wanted me in the movie, from a taped reading. That meant a huge amount to me.”

“It did leave the door open for people to see me as more than a British period drama girl,” Blunt added. “It paved the way for character roles, which is all I wanted. I didn’t want to be an ingenue. I was curious to explore an entire bag of tricks.”

The sequel follows Miranda Priestly as she navigates her career amid the decline of traditional magazine publishing, facing off against Blunt’s character — now a senior executive at Dior — who controls advertising dollars that Priestly desperately needs.

Megan Thee Stallion Breaks Down Onstage After Publicly Ending Relationship With Klay Thompson

Megan Thee Stallion opened up to fans on April 25 after splitting from boyfriend Klay Thompson, alleging in a social media post that the Dallas Mavericks shooting guard had been unfaithful.

In a note posted to her Instagram Stories, the rapper wrote: “Cheating, had me around your whole family playing house … got ‘cold feet.’ Holding you down through all your horrible mood swings and treatment towards me during your basketball season, now you don’t know if you can be ‘monogamous’?? (…) I need a real break after this one. Bye, y’all.”

Thompson and Megan Thee Stallion began dating in the summer of 2025, with Megan later describing their first connection as “a meet-cute.” The pair made their red carpet debut in New York City that July. The couple had since been open about their relationship and indicated they had moved in together in October 2025. Speculation that the Instagram post was directed at Thompson spread quickly among fans, with many concluding the couple had parted ways over infidelity.

Megan Thee Stallion confirmed the breakup in separate statements to Page Six and TMZ. “I’ve made the decision to end my relationship with Klay,” she said. “Trust, fidelity and respect are non-negotiable for me in a relationship, and when those values are compromised, there’s no real path forward. I’m taking this time to prioritize myself and move ahead with peace and clarity.”

The breakup unfolded on the same day as one of the rapper’s scheduled performances in “Moulin Rouge! The Musical” on Broadway. In fan-captured footage from her April 25 appearance at New York’s Al Hirschfeld Theatre, Megan Thee Stallion is seen tearing up onstage during the curtain call, still in costume, turning away from the applauding audience to wipe away her tears as she received a standing ovation. She began an eight-week engagement at the theater on March 24, becoming the first female-identifying performer to take on the role of Zidler in any production of the show. It is unclear whether her emotion was tied to the breakup or the audience’s response.

As the video of the onstage moment circulated on social media, fans rallied behind the Grammy winner. “This lady has been through so much,” one user wrote on X. “She needs to take a sabbatical. Just a year out of the public eye.” Another user weighed in: “The saddest part about this is that she seemed head over heels for him. I think he was the only one she ever showed in public that much.”

A third comment read: “I honestly thought they were the perfect couple. I think the most hurtful part is that he allowed his family to be close to her, knowing that she doesn’t have any immediate family or support. I pray that Meg gets through this rough time and comes back stronger than ever.”

A fourth fan questioned Thompson’s conduct before the relationship began: “If he didn’t want to be monogamous, why didn’t he tell Megan Thee Stallion that before pursuing a relationship, or why couldn’t he find a woman who has no issue with that?”

A fifth comment captured what many expressed: “Megan really puts her whole heart into everything she does: Broadway, music, life. She’s still showing up and performing at the highest level, even while going through it. Protect her peace — she deserves better and so much love.”

‘Euphoria’ and ‘Grey’s Anatomy’ Honor Eric Dane After Actor’s Death From ALS

“Euphoria” Season 3 opened with a heartfelt tribute to Eric Dane on April 12. The actor died following a battle with ALS on Feb. 19 at age 53, nearly two months before the third season of the hit HBO drama premiered.

The Season 3 premiere also paid tribute to Angus Cloud, who died July 31, 2023, from an accidental overdose, and executive producer Kevin Turen, who died Nov. 12, 2023, from a cardiac emergency.

The episode began with a tribute where an image of the actor appeared on a black screen along with the words, “In remembrance of Eric Dane 1972 — 2026.” At the end of the premiere episode, just after the credits, dedicated tributes appeared for him, Cloud and Turen on an “In Memoriam” screen.

In April 2025, Dane publicly announced he had been diagnosed with amyotrophic lateral sclerosis, better known as ALS, in an interview with People. The disease is also known as Lou Gehrig’s disease — named after the New York Yankees player — and impacts the nervous system, affecting the brain and spinal cord. It worsens over time and causes loss of muscle control. Common symptoms include slurred speech and weakness in the limbs. Dane died of respiratory failure, according to his death certificate obtained by NBC News.

Dane announced his ALS diagnosis while “Euphoria” was filming Season 3, with production having begun roughly two months prior. In a June 2025 interview, Dane shared that his ALS symptoms had begun around a year and a half before his diagnosis — as far back as late 2023 or early 2024, when he first noticed weakness in his right hand. By September 2025, his speech had changed, becoming slow and slurred. He eventually lost his ability to speak altogether but used an AI voice to communicate.

“Euphoria” was not the only show to honor Dane. “Grey’s Anatomy,” the long-running medical drama where Dane portrayed Dr. Mark Sloan — nicknamed “McSteamy” — aired its tribute on Feb. 26, one week after his death. Introduced as a guest star in Season 2, Dane became a series regular and remained on the show through Season 9, when his character died from injuries sustained in a plane crash. The 65-second tribute was set to Tommee Profitt and Fleurie’s cover of Snow Patrol’s “Chasing Cars” and featured some of Dane’s most memorable moments as the character, including warm and humorous scenes that defined his run on the show.

It closed with the words, “In loving memory of Eric Dane. 1972 – 2026.”

Dane’s colleagues paid tribute to him on social media and in interviews. His “Grey’s Anatomy” co-star Patrick Dempsey reflected on their friendship during an appearance on Virgin Radio UK. “He’s such a joy to work with, and I want to just remember him in that spirit. Anytime he was on set, he brought so much fun to it. He had a great sense of humor. (…) We got along instantly,” Dempsey said.

His “Euphoria” co-star Sydney Sweeney took to Instagram Stories to reshare a clip from Dane’s final video message to his daughters, Billie and Georgia, featured in the Netflix series “Famous Last Words.” She wrote over the clip, “Forever will love you,” alongside a red heart emoji.

“Euphoria” currently airs on HBO on Sundays.

After Harry Styles and Zoë Kravitz Reportedly Got Engaged, Sources Say He ‘Wants a Baby’

Reports of pop star Harry Styles and actor-director Zoë Kravitz‘s engagement — after approximately eight months of dating — surfaced last week, though neither has publicly confirmed the news. The couple appears to be moving quickly: Insiders now tell Page Six that Styles has been “dead set” on becoming a father for some time, and those close to him believe a child with Kravitz could follow soon.

“He really wants a baby,” a source told Page Six, adding that he had been telling his friends as much. The 32-year-old singer had reportedly told friends as early as January that he was ready for a child, even considering the possibility of going it alone before his whirlwind romance with Kravitz took off. Now that the two are reportedly engaged, those in their circle believe that timeline has only accelerated.

The shift in Styles’ perspective on family appears to have been triggered by the birth of his niece in 2024. His older sister, Gemma Styles, announced in February 2024 that she had welcomed a baby girl with her partner, Michal Mlynowski. Styles later told The Times of London that he had stepped back from his career around that time — a decision that reshaped his outlook. “My sister had a baby, and at any other time in my life, I would have missed a lot of that,” he said. “To be there, to get to know my niece as she’s growing up, it’s so obvious to me what’s real. It was really obvious that was where I wanted to be.”

While Styles’ statements about family suggest he may be ready for fatherhood, neither he nor Kravitz has publicly addressed the engagement or any plans for children. The couple has kept their relationship largely out of the spotlight; engagement speculation began on April 22 after photos published by The Sun showed Kravitz in London with Styles, sporting what appeared to be a diamond ring on her left hand as he leaned in to kiss her through a car window.

Sources close to the couple told Page Six that Styles is “completely smitten” — “He would jump off a cliff for her” — and that “no one in their circle is surprised” by the engagement. A separate insider said Kravitz referred to Styles as her “soulmate.”

Styles and Kravitz were first publicly linked in August 2025, when they were spotted walking arm in arm in Rome. Later that month, they were seen kissing at Rita’s Restaurant in London on Aug. 19.

A month after their first sightings, a source told Page Six, “I feel like they’ve gone from zero to 60.”

As new details about Kravitz and Styles’ relationship continue to emerge, fans are waiting for the two to speak on the record — particularly with the May 4 Met Gala approaching, where Kravitz is serving as a co-chair of the host committee.

We Are All Trying Here Episode 4 Review: When Buried Truths Erupt and Silence Finally Breaks

Episode 4 continues to carry the main leads and their fragility. We see the characters’ reflections and repressions. A gradual confrontation leads to emotional release as well.

  • We Are All Trying Here Netflix Cast

    Koo Kyo-hwan, Go Youn-jung, Oh Jung-se, Kang Mal-geum, Park Hae-joon, Bae Jong-ok

  • We Are All Trying Here Kdrama Director

    Cha Young-hoon

  • We Are All Trying Here Series Screenwriter

    Park Hae-young

  • Original Title

    모두가 자신의 무가치함과 싸우고 있다, Everyone Is Fighting Against Their Own Worthlessness

We Are All Trying Here Episode 4 Review: Go Youn-jung
We Are All Trying Here Episode 4 Review: Go Youn-jung

We Are All Trying Here Episode 4 Review

Quick Recap

Dong-man wakes up feeling good after Eun-a’s reassuring him the last night. He feels lighter and hopeful. He believes that he isn’t entirely a destructive person. Eun-a, on the other hand, tries to move in her professional life. She endures criticism at work but also offers encouragement to her Director, showing how kind she is. We also see a hint that suggests both Eun-a and Dong-man share the same emotional condition.

As Eun-a and Dong-man board the train, they engage in an intimate conversation, discussing their emotions and revealing their internal struggles. Dong-man shows how insecure he is, and we see the psychological impact he’s going through. Meanwhile, Gyeong-se lashes out at Dong-man publicly because he couldn’t handle the mockery.

We Are All Trying Here Episode 4 Review: Park Hae-joon
We Are All Trying Here Episode 4 Review: Park Hae-joon

Also read: Perfect Crown Episode 6 Review: Buried Secrets Come Out

A scandal involving Oh Jeong-hui, an actress, springs up, and it has a connection with Eun-a’s past. It shows her childhood abandonment. As tensions rise at her work for Eun-a and for Dong-man, his fight with his brother, we see how the two heal each other and become each other’s comfort.

Performances

The performances of the actors feel raw in this episode. Kyo-hwan delivers the vulnerability of Dong-man in a challenging manner. His being his authentic self around Eun-a and his breakdown at the bar show that he is finally acknowledging his emotions. He is self-aware of his feelings and how he is destroying himself.

Eun-a’s character is striking in a way that the introverts would love her so much. Her subtle expressions that hide so much pain show how strong she is. Her life is a mess, but she still shows kindness to people, and that’s the best part about her. Her silence speaks louder than her words. Her past trauma is also developed in this episode, and it shows more prominence in her character sketch.

We Are All Trying Here Episode 4 Review: Koo Kyo-hwan
We Are All Trying Here Episode 4 Review: Koo Kyo-hwan

Themes

Themes of identity and the search for truth are well observed in this episode. Both leads are emotionally suppressed. Both of them are searching for who they truly are. Dong-man feels he is destructive and is a very bad guy, but with Eun-a’s kind words, he realises he is a human after all who goes through emotions.

Likewise, Eun-a has been abandoned her whole life. She is now beginning to believe she is meant to be alone and that all her struggles are something she deserves. But with the way Dong-man is hanging around her, she is starting to believe that people around her need her and she has value in others’ lives. Her self-doubts are slowly decreasing.

Direction

We Are All Trying Here Episode 4 Review: Go Youn-jung
We Are All Trying Here Episode 4 Review: Go Youn-jung

The direction is effective in this episode, even if it was subtle. The emotional intensity was present via dialogue and the intense conversations between Dong-man and Eun-a. The way Dong-man looks so hyper and Eun-a being super silent shows the contrast between humans. The physical and emotional aspects are also well directed.

The storytelling is visually good as well. Eun-a’s nosebleeds add depth to the story, showing how physically her stress is affecting her. Many symbols are shown in this episode, and the scandal is a great addition to show the emotional struggles of the characters. Dong-man fighting with his brother adds a humanistic touch because who won’t fight with siblings?

Cons

The narrative feels a bit stuffed. Yep, the different storylines are constantly being juggled, and it isn’t getting enough attention. Also, the scandal needed more buildup for the emotional aspect to be felt. Gyeong-se’s reaction is something to be studied in man. Because I feel the depth of his character is missing, and so it makes me feel why his character is given a vile vibe.

We Are All Trying Here Episode 4 Review: Koo Kyo-hwan
We Are All Trying Here Episode 4 Review: Koo Kyo-hwan

At some places, the story feels predictable. Mental health is a serious matter, indeed. But the show’s story feels predictable since human emotion is common for everyone. Something new needs to be added to make the series feel more genuine.

Final Thoughts

Overall, this episode is crafted pretty well, with a balance between real emotions and conflicts. Though the storylines are constantly juggled, we are still able to grasp the whole essence of the series’ idea.

Its thematic richness and strong direction are something to note. Since the series is mostly connected to exploring people’s identities, it is relatable and makes the viewers resonate well.

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