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Netflix’s You Made Us Feel Things We Didn’t Know Existed – Season 2 Review

You Season 2 Review: In 2018, Netflix’s You was a phenomenon. The evening it came out on Netflix, I thought I’d binge it because I didn’t have anything better to do… and also because I thought it was a romantic series. Boy, did it surprise me. You became one of my favorite series on Netflix. A beautiful, taut script with twists and turns now and then. Penn Badgley and Elizabeth Lail’s superb acting make this one a must-watch. So I wasn’t surprised when people around the world became obsessed with the show- it deserved the attention.

However, the most interesting thing about this series was that no one could make up their minds about whom to side with. Sure, Joe Goldberg seemed like a sociopath, but his internal monologues seemed so convincing that his reasoning manipulated us. There were moments when Joe’s audacity surprised us – stalking and manipulating Beck into thinking that he is all she needs (also that one scene where he masturbates in the middle of the bloody road!). But hey, he’s doing it for her, right? He has her best interests in mind. And, when he says that she has no security in place – she changes her clothes (and has sex) in front of the open windows, has no password on her phone or laptop – we are convinced that she had it coming. Joe was just a better option – she needed someone to take care of her because, honestly, she was a mess.

You Season 2 Review: Penn Badgley
You Season 2 Review: Penn Badgley

But that is where the creators caught us red-handed. Developers Greg Berlanti and Sera Gamble based the two parts of You on Caroline Kepnes’s novels. I think the creators knew that people fundamentally want someone to love them, and they will go to any length to get that love.

You Season 2 Review

“I’m sorry, Beck”

However, what we all forgot in the first season was that Beck was flawed, yes. But the thing is, that was her choice. She chose to be messy and unafraid. She didn’t need someone to save her from the big, bad world. Joe forcefully thought he could save her, without taking her consent (consent being the keyword here), and changed her world so that she couldn’t come back. Beck deserved better because she thought she had it all under control, that her relationship with Joe was organic, and that fate had given her an amazing man. What she didn’t know was that Joe had it all planned from the start – that nothing was organic. She had no chance.

A Changed Man?

You Season 2 Review: Victoria Pedretti, Penn Badgley
You Season 2 Review: Victoria Pedretti, Penn Badgley

Season 2, however, moves on with the ex-girlfriend narrative and introduces a new love interest for Joe. He has since moved from New York to Los Angeles and is starting his life fresh. He thinks he’ll lay off love, but that all changes when he sets his eyes on Love (yeah, it’s about to get confusing. Try to keep up), and he instantly realizes that she’s the One. The girl for whom his world will change, because she is her world. And it’s all a repeat from thereon.

Love Quinn belongs to a rich family. Her twin brother Forty (why anyone would name their son that is lost to me), however, is damaged and is a junkie. Her family is dysfunctional. Regardless, she’s magnetic, fun and spirited. She knows what she wants and isn’t afraid to get it. She seems to understand Joe (or Will… More of that in a bit). She’s all that he’s been waiting for. He, later on, says to himself that he had never loved anyone before – that Love’s the only person who has ever held his heart.

However, all is not well. Because his ex, Candace, is back with a vengeance. She gets into Joe’s life and becomes Forty’s love interest, to do whatever it takes to bring him down. Initially, he had to flee New York and assume a new identity, Will Bettleheim, to stay as far away from her as possible. Also, new characters in this season are Joe’s neighbors, sisters Delilah and Ellie, who quickly become close to Joe.

You Season 2 Review: Penn Badgley, James Scully
You Season 2 Review: Penn Badgley, James Scully

As the season moves forward, and as Joe’s web of lies becomes more and more intricate and increasingly difficult to manage, we see that his mask is sometimes slipping. He tries to change himself, to be worthy of Love, but even his internal monologues cannot save him when he commits one murder after another – all in the name of love (or, Love?). We are forced to come face-to-face with the violent, unhinged man underneath all the romantic and self-righteous internal monologue. That he will go to any length to get what he wants, the rest of the world be damned.

An Arc We Want

You season 2 has, however, delivered some character arc behind Joe. He’s not one-dimensional and, as we near the end of the season, we see that he has, to some extent, changed as a person. We also get some interesting insight into his life as a youngster – a dysfunctional family of his own, complete with an abusive father and a mother who just cannot seem to let her husband go.

At the end of the season, we see that Joe has become close to the people around him. It’s a sweet character arc, and for once, we feel like he will change – he’ll be the person that we all want – the person Love deserves. From letting the actual Will go to telling Delilah that he won’t kill her because she has to look after Ellie, things look positive. Even with his dealings with Forty. I’m sure that if this situation arose in season 1, Forty would be the first to go. However, season 2 Joe seems like a changed man. Forty pisses him off, understandably, but he’s more understanding and seems to love the guy. The growing attachment between the two during the season is heart-warming to watch.

You Season 2 Review: Penn Badgley, Jenna Ortega
You Season 2 Review: Penn Badgley, Jenna Ortega

Despite all of this, he soon realizes that Love is not the person he fell for. She isn’t an idealistic and sweet, kind-hearted person. He was wrong – she wasn’t going to save him from his past and himself. And I feel the moment he realizes that he loses his affection for her. He realizes that Love is an image of him. What made him want to change – to stop running and atone for his sins – was all a lie. For the first time, he is on the receiving end of the stick. And he probably finally realizes what he had made Beck and Candace feel.

All’s Well That Ends Well… Or Is It?

The ending of You is twisted, well, like the entire series. We see a heavily pregnant Love moving somewhere else with Joe. He talks about being a good father to his unborn child, but something seems off. He doesn’t seem to be quite as invested in the relationship anymore. So the woman talking on the other side of the fence, sunbathing in her yard, fascinates him – he has found a new You. This, for me, shows that Joe has completely given up on his love for Love. He probably realizes that she is not what he wants.

You Season 2 Review: Penn Badgley
You Season 2 Review: Penn Badgley

Throughout the season, I have thought about whether love is all it takes to change a person damaged due to a troubled past. I was convinced – but Joe proved me wrong. He hasn’t changed a bit. The moment he lost interest in Love, he was back to square one – stalking out his next victim. Someone who will save him from himself. But there is no such thing. What Joe wants cannot be found in others. He has to come to terms with this past on his own, instead of depending on people who cannot help him (much like his relationship with his mother).

You is a beautiful series that won’t bore you for a minute. With Badgley’s amazing acting and beautiful voiceovers that put us right into Joe’s mind, seductive thrills and wry dark humor, the second season is a treat to watch, especially for fans of the thriller genre. The way it terrifyingly merges the apparent nice-guy with the toxic pull towards the bad-boy – You, as a series, is a must-watch.

Things to Take Home

You Season 2 Review: Penn Badgley
You Season 2 Review: Penn Badgley
  1. Do not murder people. Murder is bad. Joe might get away with it, but we won’t. There are ways to solve your problems – murder isn’t one of them. Go see a therapist.
  2. Why does Victoria Pedretti (who plays Love) always end up with a dysfunctional family and a junkie twin? It makes me feel bad for her.
  3. Please don’t name your child Forty. It’s weird.
  4. Would You be different if it was made in India? But who are we kidding? That’s just everyday life here.

You can check out season 2 of You on Netflix.

Also Read: Netflix’s Ghost Stories Review: Horror Without The Scares

Netflix’s Ghost Stories Review: Horror Without The Scares

[Note: The following review contains spoilers for Ghost Stories]

Netflix tried to do something different this New Year with Ghost Stories. The streaming giant broke records in 2018 after it brought to screen Lust Stories, from four visionary directors of Bollywood – Anurag Kashyap, Zoya Akhtar, Dibakar Banerjee, and Karan Johar. It was the first time Bollywood explored sexuality in its varied forms – blurring the line between right and wrong. So naturally, people were excited when they saw that the same four directors were coming out with four more stories, but this time, it’s a premise that hasn’t been fully explored in Bollywood.

Ghost Stories Review

Horror: Here and There

Ghost Stories Review: Still
Ghost Stories Review: Still

Let’s face it, horror hasn’t really started in India. 2019 was an amazing year for horror around the world. With movies like Midsommar, Scary Stories to Tell in the Dark, Ready or Not, Us and many more released to entertain audiences, horror fans were at an all-time high. However, this isn’t the case with Bollywood horror. Most of them bombed at the box office. Thus, Ghost Stories was a breath of fresh air for horror fans.

Marketing, Marketing, and More Marketing

Netflix marketed Ghost Stories to no end. Firstly, they decided to release it at midnight on the most happening nights of the year. Secondly, it had some big names on the list – Sobhita Dhulipala, Mrunal Thakur, Avinash Tiwary, Janhvi Kapoor, Surekha Sikri, Raghuvir Yadav, Gulshan Devaiah and Vijay Varma among the most well-known. I got ads about the movie on YouTube, Instagram, Facebook, and Spotify as well. So you can imagine how much anticipation I had.

Ghost Stories Review: Still
Ghost Stories Review: Still

People crave horror. It’s one of the most sought-after genres. Add to that the fact that supply is extremely low, and even one big release can cause a frenzy amongst Netizens.

It’s probably impossible for me to do a general review because all four films are different from each other in tone, style, storytelling and the theme in general. So, I’m gonna talk about each story separately.

Ghost Stories Review: Story Breakdown

Zoya Akhtar

Ghost Stories Review: Jahnvi Kapoor
Ghost Stories Review: Jahnvi Kapoor

Starring Jahnvi Kapoor, Surekha Sikri, and Vijay Varma, this short deals with a paralysed woman (Sikri) whose nurse (Kapoor) comes to her residence one night for 24/7 care. She’s in a complicated relationship with a married man, and things aren’t, in general, looking too good for her. Oh, she also hates her job. However, all is not as it seems in the house, as from the first night, supernatural occurrences start to spook her. What she discovers next changes her to her core.

This is the typical horror movie – filled with suspense and lots of known horror tropes. If you’re familiar with and a fan of horror, this one will remind you of movies you’ve seen many times over. A predictable plot done to death by movies throughout generations, with stunning camerawork – Zoya Akhtar knows her shots. I wish the story were a bit different.

Anurag Kashyap

Ghost Stories Review: Sobhita Dhulipala
Ghost Stories Review: Sobhita Dhulipala

A pregnant woman is a bird lover to the point that it is unhealthy. Childhood trauma has changed her take on children and the concept of motherhood. She has already lost a baby in the past, and she is obsessed with her present one. She is also extremely close to her nephew, who is extremely jealous of the new baby. The nursery is ready – but you can feel something is amiss. Add to that the constant cawing of crows, and you realise something is very, very wrong. So, when the end comes, you’re feeling very… confused. The colours are leached out – it’s all muted and dark – the atmosphere is beautiful.

Genre fans (guilty!) can see all the avenues the story could’ve taken. But, alas, in its present form, it’s not scary. Crows play a very important part in the movie. Moreover, the child thread and the crow thread run in parallel and meet… without actually meeting. I get it, the director wanted to do something shocking – different. But the story lacked soul, probably because it tried too hard to be different.

Dibakar Banerjee

Ghost Stories Review: Sukant Goel
Ghost Stories Review: Sukant Goel

A man (Sukant Goel) reaches a village where he has to join work. However, some searching of the abandoned villages brings him in front of two young kids. They are scared out of their wits but are very steadfast about one thing – staying alive. Flesh-eating creatures have taken over their village – all of them are their own families, neighbours, and friends. What follows is a scary social commentary about the evils of humanity. This segment was the most different of the lot. The director, instead of showing supernatural entities, shows a portrayal of the society we are living in, which is scary, if not more.

I love the idea – I do. But to be honest, I was expecting the director to explore the supernatural angle more because my expectations were high. So the ending made me feel kinda conflicted. The comparison was so smart – yet my yearning for scares that were promised made me rather upset.

Karan Johan

A feisty woman (Mrunal Thakur) agrees to an arranged marriage with a handsome man (Avinash Tiwary) who seems to be charming, kind and an all-out gentleman. However, soon things take a turn for the bizarre as his dead grandmother becomes a constant presence in the house. Everyone seems to revere the invisible entity that the new bride cannot see. As a result, her irritation with the bizarre situation in her new home pushes her to a point of no return.

This is one of the weakest links in this movie. Firstly, this segment is more Karan Johar than Karan Johar himself. Extremely expensive sets, elaborate weddings (complete with a song!), plush and exorbitant houses – it’s all there. The focus went behind making a ‘Johar movie’. So, when the horror was delivered, it was lackluster and the scares were extremely unsatisfying. I felt that the segment could’ve ended much before the ending it got – maybe ambiguity could’ve helped with a script severely lacking.

Final Thoughts

Ghost Stories is an unsatisfying take on horror. Bollywood still has a long way to go before it can impress audiences with genuinely creepy movies that leave a mark in the genre. However, it does display beautiful performances. My special mention goes to Sobhita Dhulipala and Surekha Sikri. Their excellent performances make up for the unsatisfying scare-fest.

Bollywood, keep trying till you achieve flawlessness – practice makes perfect. You can watch Ghost Stories on Netflix.

Read More: Bitconned Review: Get Ready to Be Enraged by Ray Trapani’s Nonchalant Complacency