7 Best Kpop Songs Inspired by Afrobeats: TXT’s Tinnitus, LE SSERAFIM’s Smart and More

Afrobeats, the genre has indeed become a global phenomenon, carving its niche within the hearts of many through its extremely catchy beats and rhythms. Best Kpop songs inspired by Afrobeats showcase that energy in tremendous fusion that depicts Korean pop polish coupled with African thumping grooves. Afrobeats in K-pop is more and more popular in most modern K-pop songs as artists constantly experiment innovatively for some of the most memorable performances to date.

Afrobeats and Amapiano rhythms are simple in sound but potent within framework, with syncopated beats and vibrant instrumentation, and over the years these sounds have gotten a global following. And as more K-pop artists tap into this influence, it is quite true that we are caught up in quite beautiful fusion of Korean and African sounds. This story looks at seven standout K-pop tracks which used elements of Afrobeats, demonstrating ways through which this genre redefines the K-pop horizon.

Best Kpop Songs Inspired by Afrobeats

Tinnitus (Wanna Be a Rock) by TXT

When TOMORROW X TOGETHER released “Tinnitus” in 2023, they gifted the world with another sonic texture to their discography. The track grabs a listener immediately on the totally laid-back rhythmic flow and captures the core Afrobeat essence through the use of great, bass-heavy beats with a rhythm that ties things together. The repeated line is hypnotic, driving the whole track’s minimalist-yet-addictive quality. TXT in recent times trying Afrobeats-inspired sounds. A perfect example of evolution and experimentation to meet listeners’ demands on something unique from the K-pop mainstream.

Mona Lisa by Soojin

Soojin, the ex (G)I-DLE member, turned up this year with a hot solo song called “Mona Lisa.” Properly made and sophisticated, it is seductive. Yes, it is only those verses that have that kind of entrancing quality, almost mystical, pulling you in. For instance, when the chorus kicks in, it becomes bombastic energy; the track changes to become a song to dance along to. Soojin’s voice, combined with energetic production, is clear proof of growth as an artist and how she can transform the very vibe of Afrobeats into something innovative for herself. It is very easy to get caught up with “Mona Lisa”—those driving beats are like a celebration of movement, of melody.

Aurora by Penomeco feat. Crush

With as many unexpected twists and turns in his music as his name, Penomeco keeps surprising fans again and again. “Aurora,” a 2024 collaboration with Crush is yet another. The song turns into something close to a slow-burn Afrobeats groove that only features softer, more romantic elements of the genre. The rhythmic elements and smooth vocals perfectly fit into the sound and texture set by Crush’s lush signature tone, a warmth no less bright than the title of the song. Aurora” is soft yet irresistible, and that’s the beauty of the range Afrobeats can explore when artists like Penomeco and Crush bring their imagination to interpreting it.

SMART by LE SSERAFIM

LE SSERAFIM’s “SMART” was as if destined to be a dance anthem for 2024. Its irresistible beat-versed in Afrobeats’ solid rhythmic foundation-is undeniably cut out for fans who cannot help but dance. The punchy bass, subtle percussion, and catchy lyrics made it an extra oomph that quickly shot this B-side into one of the best in the year. LE SSERAFIM is one of the most exciting acts to watch for genre-blending hits through the confident, charismatic delivery of its members.

BTBT by B.I feat. Soulji and DeVita

B.I has always been an artist who is not afraid to push the limits and try new things. The song “BTBT” really puts that on display. He has both Soulji and DeVita on this; the sultry, seductive vibe is pure Afrobeats by essence, essentially merging sensual grooves with the polished production of K-pop. The smooth rhythm here is perfectly paired with enticing lyrical delivery, all of which keeps you hooked. Even years after its release, “BTBT” remains a crowd favourite, an effortless and fresh blend of K-pop and Afrobeats that sounds refreshingly unique.

IDOL by BTS

BTS’s IDOL is probably one of the earliest and most blatant examples of Afrobeats influence in K-pop. The song is an anthem to diversity and individuality, structured around the bouncy layers of rhythms characteristic of Afrobeats. The use of African drums and vibrant percussions was a classy touch to give “IDOL” that celebratory energy altogether, which compliments the message about self-empowerment as carried by BTS. Its global appeal and infectious beat show how BTS set the bar for embracing and incorporating global sounds and come up with a powerful anthem that will find resonance across cultures.

WAVE by ATEEZ

ATEEZ is known for powerful stage presence and genre-bending music, and “WAVE” is an excellent example of that versatility. The song boasts Afrobeats-inspired beats that sweep away listeners to tropical, feel-good vibes. A song like “WAVE” has a punchy rhythm combined with a catchy melody that becomes a feeling of adventure-a Summer in the playlist and an escape. Lively vocals by ATEEZ and breezy production draw out the spirit of Afrobeats, making this song a super fanatic favourite that shines live and during other non-performing instances.

Afrobeats and Amapiano have breathed into K-pop a new rhythm and texture for its artists to explore. With each new track, these genres demonstrate their versatility-how well they seem to mix with the high-energy aesthetics and the polished production values of K-pop. Fans of these genres hold close these songs for the bridges they provide, an appreciation of the rich cultural diversity that makes music a universal language.

Also Read: 7 Kpop Disband Songs That Became Popular and Are Still Fan Favourites: GFRIEND’s MAGO, CLC’s Helicopter and Others

Shabnam Jahan
Shabnam Jahan
Shabnam Jahan has completed her Masters in Journalism Mass Communication from SRM University, Chennai. She has a total interning experience of 6 months and has previously interned at Asiana Times as a content writer and at The News Minute as a Graphic Designer.

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